Why
Ride
Season of the Bike
by Dave Karlotski
There is cold, and there is cold on a motorcycle. Cold on a
motorcycle is like being beaten with cold hammers while being kicked with cold
boots, a bone bruising cold. The wind's big hands squeeze the heat out of my
body and whisk it away; caught in a cold October rain, the drops don't even
feel like water. They feel like shards of bone fallen from the skies of Hell to
pock my face. I expect to arrive with my cheeks and forehead streaked with
blood, but that's just an illusion, just the misery of nerves not designed for
highway speeds.
Despite this, it's hard to give up my motorcycle in the fall and I rush to
get it on the road again in the spring; lapses of sanity like this are common
among motorcyclists. When you let a motorcycle into your life you're changed
forever. The letters "MC" are stamped on your driver's license right
next to your sex and height as if "motorcycle" was just another of
your physical
characteristics, or maybe a mental condition.
But when warm weather finally does come around all those cold snaps and
rainstorms are paid in full because a motorcycle summer is worth any price. A
motorcycle is not just a two-wheeled car; the difference between driving a car
and climbing onto a motorcycle is the difference between watching TV and
actually living your life. We spend all our time sealed in boxes and cars
are just the rolling boxes that shuffle us languidly from home-box to work-box
to store-box and back, the whole time entombed in stale air, temperature
regulated, sound insulated, and smelling of carpets.
On a motorcycle I know I'm alive. When I ride, even the
familiar seems strange and glorious. The air has weight and substance as I push
through it and its touch is as intimate as water to a swimmer. I feel the
cool wells of air that pool under trees and the warm spokes of sunlight that
fall through them. I can see everything in a sweeping 360 degrees, up, down and
around, wider than PanaVision and higher than IMAX and unrestricted by ceiling
or dashboard.
Sometimes I even hear music. It's like hearing phantom telephones in the
shower or false doorbells when vacuuming; the pattern-loving brain, seeking
signals in the noise, raises acoustic ghosts out of the wind's roar. But on a
motorcycle I hear whole songs: rock 'n roll, dark orchestras, women's voices,
all hidden in the air and released by speed.
At 30 miles an hour and up, smells become uncannily vivid. All the
individual tree-smells and flower-smells and grass-smells flit by like chemical
notes in a great plant symphony. Sometimes the
smells evoke memories so strongly that it's as though the past hangs invisible
in the air around me, wanting only the most casual of rumbling time machines to
unlock it.
A ride on a summer afternoon can border on the rapturous. The
sheer volume and variety of stimuli is like a bath for my nervous system, an
electrical massage for my brain, a systems check for my soul.
It tears smiles out of me: a minute ago I was dour,
depressed, apathetic, numb, but now, on two wheels, big, ragged, windy smiles
flap against the side of my face, billowing out of me like air from a
decompressing plane.
Transportation is only a secondary function. A motorcycle is a joy machine.
It's a machine of wonders, a metal bird, a motorized prosthetic. It's light and
dark and shiny and dirty and warm and cold lapping over each other; it's a
conduit of grace, it's a catalyst for bonding the gritty and the holy.
I still think of myself as a motorcycle amateur, but by now I've had a
handful of bikes over a half dozen years and slept under my share of bridges. I
wouldn't trade one second of either the good times or the misery. Learning to
ride was one of the best things I've done.
Cars lie to us and tell us we're safe, powerful, and in control. The
air-conditioning fans murmur empty assurances and whisper, "Sleep,
sleep." Motorcycles tell us a more useful truth: we are small and exposed,
and probably moving too fast for our own good, but that's no reason not to
enjoy every minute of the ride.